Africa
Fela Kuti honored with Grammys Lifetime Achievement Award as first African recipient
Nigeria’s late son will be honored with a Lifetime Achievement Award, nearly three decades following his passing.
Fela Kuti, a legendary figure in Afrobeat, is now gaining recognition from the global music industry, a testament to his enduring legacy.

Nearly three decades after his passing at 58, the Nigerian music icon will be honored with a Lifetime Achievement Award at the Grammys, a milestone that comes posthumously.
According to Seun Kuti, Fela's musician son, this acknowledgment is a significant victory, stating, "Fela has long been cherished by the people, and now the Grammys have formally recognized this, which is a dual triumph."
Seun Kuti further notes that this development helps to provide a more nuanced understanding of his father's story.
Rikki Stein, a friend and former manager of Fela Kuti, views the Grammy recognition as a welcome development, saying that it is "better late than never."
According to Stein, Africa is gaining more attention, marking a shift from its previously low profile, as he shares his observations with the BBC.
The growing popularity of Afrobeats, a genre influenced by Fela's music, has led the Grammys to introduce a new category, Best African Performance, starting in 2024.
Burna Boy, a renowned Nigerian artist, has also been nominated for Best Global Music Album this year, further highlighting the continent's rising influence.
Fela Kuti will make history as the first African recipient of a Lifetime Achievement Award, which will be granted posthumously; the award was initially presented to Bing Crosby in 1963.
This year's Lifetime Achievement Award recipients will also include Carlos Santana, a Mexican-American guitarist, Chaka Khan, known for her funk music, and Paul Simon, in recognition of their contributions to the music industry.
The Grammy award ceremony will see Fela Kuti's loved ones, including family members, friends, and colleagues, in attendance to accept the honor on his behalf.
According to Seun Kuti, the significance of Fela's award extends beyond personal ties, as he notes in an interview with the BBC that the global community needs this recognition.
Stein emphasizes the importance of acknowledging Fela's commitment to advocating for marginalized individuals and his outspoken criticism of social injustices, corruption, and government mismanagement.

Stein further explains to the BBC that Fela's legacy cannot be separated from his tireless efforts to address these issues, making it essential to acknowledge this aspect of his impact.
Fela Anikulapo Kuti's multifaceted career spanned music, cultural theory, and political activism, cementing his status as the pioneering force behind Afrobeat, a genre that laid the groundwork for the contemporary sound of Afrobeats.
Fela Kuti played a key role in developing the Afrobeat genre, combining elements of West African music, jazz, funk, and highlife with extended instrumental passages and socially conscious lyrics, often featuring call-and-response vocal patterns, in collaboration with drummer Tony Allen.
Over the course of nearly three decades, until his passing in 1997, Fela Kuti produced a prolific discography of more than 50 albums, creating a distinctive sound that intertwined music, politics, and performance, leaving a lasting legacy.
The Nigerian military governments in power at the time took issue with Fela Kuti's music, which frequently addressed social and political issues.
The 1977 release of the album Zombie, which used satire to critique the Nigerian military, prompted a raid on Fela Kuti's Lagos compound, known as the Kalakuta Republic, by government forces.
The attack on the Kalakuta Republic resulted in the destruction of the property, violence against its residents, and ultimately, the death of Fela Kuti's mother, Funmilayo Ransome-Kuti, who succumbed to injuries sustained during the incident.

Following the death of his mother, Fela Kuti chose to express his emotions through a powerful combination of music and resistance. In a bold statement, he carried her coffin to government offices, accompanied by the release of the song "Coffin for Head of State", transforming his sorrow into a call to action.
Fela Kuti's philosophical outlook was characterized by a unique fusion of pan-African, anti-imperialist, and socialist ideologies rooted in African culture and traditions.
The influence of Fela Kuti's mother on his life and politics was profound, playing a significant role in shaping his awareness of social issues. Additionally, his interactions with US-born singer and activist Sandra Izsadore contributed to the development of his radical perspective.
Born Olufela Olusegun Oludoton Ransome-Kuti, he later decided to abandon the surname Ransome due to its Western origins, opting for a name that better reflected his cultural identity.
In a highly publicized ceremony in 1978, Fela Kuti married 27 women, bringing together a diverse group of individuals who shared his vision for the Kalakuta Republic, a communal and cultural project that encompassed musicians, performers, organizers, and fellow architects of his creative and social endeavors.
The Nigerian authorities' attempts to silence Fela Kuti through repeated arrests, physical violence, and constant monitoring ultimately backfired, as his message gained even more traction.
According to Stein, Fela Kuti's primary motivation was not to garner accolades, but to spark a movement of mental liberation, freeing people from constraints.
Stein describes Fela Kuti as unwavering in his convictions, demonstrating unshakeable resolve in the face of adversity.
Fela Kuti's musical development was influenced by a broader West African context, with Ghana playing a significant role in shaping his sound during the 1950s and 1960s, particularly through the highlife genre popularized by musicians like ET Mensah, Ebo Taylor, and Pat Thomas.
The distinctive characteristics of highlife music, including its melodic guitar riffs, horn sections, infectious dance beats, and eclectic blend of styles, had a profound impact on Fela Kuti's early work, leaving a lasting imprint on his artistic direction.
During his time in Ghana, he immersed himself in the highlife genre, studying its composition, horn arrangements, and energetic rhythms, which he later combined with jazz, funk, and the traditional rhythms of the Yoruba people, as well as socially conscious lyrics.
The influence of highlife is evident in Afrobeat's melodic approach and its ability to strike a balance between rhythmic energy and musical sophistication.
Afrobeat's origins are more complex than a single nationality, reflecting a broader West African, pan-African, and diasporic heritage, with Ghanaian music playing a significant role in its development.
Fela Kuti was a commanding presence on stage, often performing without a shirt or wearing traditional West African prints, his hair styled in a distinctive Afro, saxophone at the ready, and an intense gaze, leading a large ensemble of over 20 musicians.
The performances held at the Afrika Shrine in Lagos, led by Fela Kuti, were renowned for their unique blend of music, politics, and spirituality, creating an experience that was equal parts concert, rally, and ceremony.
According to Stein, the performances at the Shrine defied traditional norms, instead opting for a more immersive experience.
In an interview with the BBC, Stein notes that when Fela took the stage, the audience's response was notably different, as he explains, "The audience wasn't separate. They were part of it," and applause was not the typical reaction.
The music scene at the time was characterized by a sense of unity, where the performers and audience were connected, rather than the music being a spectacle to be watched.
The visual aesthetic of Fela Kuti was heavily influenced by the work of artist and designer Lemi Ghariokwu, who was responsible for designing 26 album covers for the musician between 1974 and 1993.

Lemi Ghariokwu spoke to the BBC about Fela Kuti's lasting impact, stating that it has been 28 years since his passing, yet his legacy continues to grow, effectively achieving a form of immortality, and welcoming the recognition that has followed.
Fela Kuti's music remains widely popular, with a global following of millions, and his legacy can be heard in the work of contemporary artists such as Burna Boy, Kendrick Lamar, and Idris Elba.
Idris Elba, an acclaimed actor and DJ, has showcased his admiration for Fela Kuti by curating the official vinyl box set, Fela Kuti Box Set 6, and has drawn comparisons between Kuti and legendary figures like Sade and Frank Sinatra to highlight Kuti's distinctive sound.
Throughout his career, Fela Kuti performed at prominent international festivals in Europe and North America, presenting a vibrant and politically conscious representation of modern Africa to diverse audiences worldwide.
Seun Kuti was only 14 years old when he lost his father, Fela Kuti.
According to Seun Kuti, his father maintained an open and honest relationship with him, saying, "Fela never made me feel like I was a child… He talked about everything openly" and shared his thoughts and experiences without reservation.
No larger-than-life legend was constructed around him.
He recalls, "I wasn't even aware of my father's fame," which he attributes to his father's down-to-earth approach to parenting.
The lasting impression he has is one of discipline, clear thinking, and a strong sense of humanity, rather than grandeur.
According to him, his father's true character was defined by his personal qualities, including his leadership, musicianship, and role as a father.
A particularly insightful comment from Seun Kuti sheds light on his perspective on autonomy and self-identity.
According to his family, Fela Kuti's sense of identity was clear: he was his own person, not owned by anyone, and his children were deeply connected to him.
Fela Kuti preferred to be called by his name, rather than a title, a preference that extended to his interactions with his children. Seun Kuti remembers a specific incident where he was penalized for using a casual term of endearment, a experience that taught him the importance of respect.
His children recall that Fela Kuti often emphasized his commitment to serving others, prioritizing their needs above his own.
This philosophy had a profound impact on Seun's personal growth, as he transitioned from focusing on personal aspirations to embracing a broader sense of cultural responsibility.
Seun Kuti's approach to music has undergone a significant shift over time, evolving from a primary focus on financial gain to a more balanced approach that prioritizes both his artistic expression and his connection to his community.
Fela Kuti was at the helm of several notable ensembles, including Africa 70 and Egypt 80, with the latter now being continued by his son.
Unlike traditional backing bands, Fela Kuti's ensembles were characterized by their rigorous training, strong work ethic, and commitment to a shared ideology.
According to Stein, Fela Kuti was meticulous in his approach to music, demonstrating a strong focus on precision.
Stein notes that Fela Kuti would personally tune each instrument, underscoring the fact that, for him, music served a higher purpose beyond mere entertainment.
For additional news coverage from Africa, visitors can access BBCAfrica.com.

Africa
Understanding the crisis in South Sudan: a simple guide
A deepening political divide is raising concerns of potential renewed conflict following allegations of treason leveled against the vice-president.
Concerns are mounting that South Sudan, the world's newest nation, is on the brink of descending into all-out civil war as clashes persist in Jonglei state, located northeast of the capital city, Juba.

The government is attempting to reclaim territory from forces loyal to First Vice-President Riek Machar, who has been suspended from his position amid allegations of plotting to overthrow President Salva Kiir.
Machar is currently standing trial in Juba, facing charges of murder, treason, and crimes against humanity, all of which he denies.
The Sudan People's Liberation Movement/Army In Opposition (SPLM/A-IO), Machar's party, has rejected the charges as a politically motivated attack aimed at dismantling the 2018 peace agreement that brought an end to a five-year civil war.
The SPLM/A-IO and its allied groups claim to have captured territory, including military bases, in Jonglei and other states since the end of last year.
In response, South Sudan's army launched a counteroffensive last month.
In a statement that has raised concerns, Deputy Army Chief Gen Johnson Oluny urged troops to show no restraint, including against civilians, when deployed to Jonglei, although the government later clarified that this was not an official order.
The government has reaffirmed its commitment to protecting civilians, contradicting Gen Oluny's statement.
The recent violence in Jonglei has displaced at least 280,000 people, forcing them to flee their homes.
Aid agencies, including Oxfam, have reported that their facilities, such as clinics, have been looted, and staff have been assaulted.
South Sudan gained independence from Sudan in 2011, following decades of fighting led by the Sudan People's Liberation Movement (SPLM), and has been one of the world's poorest countries.
Two years after independence, a civil war broke out when Kiir removed Machar as vice-president, accusing him of plotting a coup.
The conflict, largely driven by ethnic divisions between supporters of Kiir and Machar, resulted in an estimated 400,000 deaths and the displacement of 2.5 million people, which is more than a fifth of the population.
As part of the peace agreement, Machar was reinstated as vice-president in a unity government, which was intended to pave the way for elections.
Although the current conflict in Jonglei is primarily driven by national political rivalries, the state has a history of inter-communal violence, particularly between sub-clans of the Dinka and Nuer ethnic groups.
Cycles of violence linked to cattle raiding, land access, and revenge attacks continue to shape and complicate the current conflict.
The SPLM/A-IO draws significant support from Nuer communities, while the government and its allied forces are dominated by Dinka leadership, leading to national political confrontations that often reignite local grievances and increase the risk of communal violence.
The current crisis began in March last year when the White Army militia, allied to Machar during the civil war, clashed with the army in Upper Nile state and seized a military base in Nasir.

On 7 March, a UN helicopter attempting to evacuate troops came under fire, resulting in several fatalities, including a high-ranking army general.
Nearly three weeks later, Machar and several of his associates were placed under house arrest, accused of attempting to incite a rebellion.
At the time, Oyet Nathaniel Pierino, deputy leader of the SPLM/A-IO, stated that the prospect for peace and stability in South Sudan had been severely jeopardized.
Instead of easing tensions, the government intensified its actions against Machar, charging him with treason, among other crimes, in September.
Days later, the SPLM/A-IO escalated its rhetoric, denouncing Kiir's government as a dictatorship and calling for regime change.
Although Machar's inclusion in the unity government was a key aspect of the peace agreement, other provisions have not been implemented.
A major concern for many South Sudanese is the security arrangement, which has not been fully realized.
The peace agreement outlined a plan to integrate former rebel forces and government soldiers into a unified national army of 83,000 troops, with the remainder to be disarmed and demobilized.
However, this has not occurred, and numerous militias aligned with different political groups remain active.
The agreement also called for the establishment of a court, with the help of the African Union, to try those responsible for the violence, but this has not been created, partly due to the reluctance of those in power to face trial.
Elections scheduled for 2022 have not taken place, and a new constitution has not been drafted.
Kenyan mediators are attempting to revive the peace process.
The Tumaini Initiative, which translates to "hope" in Swahili, aims to hold talks in Kenya to lay the groundwork for credible elections.
Kiir and Machar, both in their 70s, were part of the SPLM that fought for independence, but long-standing tensions exist between them.
These tensions have been fueled by ethnic divisions, with Kiir being Dinka and Machar being Nuer, as well as competing political ambitions.
When Kiir dismissed Machar as vice-president in 2013, triggering the civil war, Machar denounced him as a dictator.
The repeated postponements of elections have created further problems between the two leaders.
The delays, which have occurred four times, have prevented Machar from realizing his presidential ambitions, while perceptions grow that Kiir intends to remain in power indefinitely.
Born in 1953, the 72-year-old Machar was the 27th son of the chief of Ayod and Leer and was raised in the Presbyterian Church.
Machar studied mechanical engineering at the University of Khartoum as an undergraduate and later earned a PhD in philosophy and strategic planning from the UK's Bradford University in 1984.
During the struggle for secession from Sudan, Machar switched sides on several occasions, seeking to strengthen his position and that of his Nuer ethnic group.
He became vice-president of South Sudan at independence in 2011, but was later sacked in 2013 and reinstated as part of a deal in 2016, only to flee as fighting resumed.
In 1951, a child was born to a family of modest means, with his father working as a cattle herder, and he was the eighth of nine siblings; today, at 74, he remains a devoted Roman Catholic.
At the age of 17, he enlisted with the Anyanya rebel group, which was fighting for southern independence during the First Sudanese Civil War that began in 1967; 16 years later, he co-founded the Sudan People's Liberation Army/Movement, one of five key individuals to do so, amidst the Second Sudanese Civil War.
As a former rebel commander with expertise in military intelligence, he emerged as a voice of moderation within the SPLM, assuming leadership of the group in 2005 following the death of John Garang in a helicopter accident.
Upon South Sudan's independence, he took office as president, a position he has held for 14 years, as the country has not yet conducted elections.
Nicholas Haysom, the UN mission head in South Sudan, cautioned last year that the nation was on the verge of plunging back into full-scale civil war, which would have devastating consequences for a country still reeling from its previous conflict.
According to Daniel Akech, an analyst with the Crisis Group think-tank, a resurgence of fighting could lead to "proxy warfare in the region", prompting concerns about the potential consequences.
Akech outlined two primary consequences of renewed conflict: the escalation of ethnic tensions as opposing sides seek to rally support, and the likelihood that neighbouring countries would become embroiled in the conflict.
The leaders of the Igad regional grouping, which includes Uganda, are tasked with upholding the 2018 agreement as its guarantors.
As part of a long-standing accord to support the army, some Ugandan troops have been deployed to South Sudan, according to the government.
For additional news and updates from the African continent, visit BBCAfrica.com.


Africa
Ghana designates Wednesday as ‘Fugu Day’ to promote traditional attire
A popular article of clothing has garnered significant online attention in recent days, sparked by a lighthearted exchange between individuals from Ghana and Zambia.
In a move to promote national pride, Ghana has declared Wednesdays as a day to don the country's traditional attire, known as the fugu, following a recent online exchange with Zambia.

The fugu gained international attention when President John Dramani Mahama wore it during an official visit to Zambia, sparking a debate after some Zambians referred to it as a "blouse", which led to a strong reaction from Ghanaians on social media.
According to Ghana's Minister for Tourism, Abla Dzifa Gomashie, wearing the traditional outfit weekly will help showcase the country's cultural identity on a global scale, as announced on Tuesday.
Minister Gomashie encouraged the public to wear the fugu in its various forms, designs, and styles, accompanied by its unique and beautiful accessories, to promote the country's rich cultural heritage.
The fugu, also referred to as batakari, is a traditional garment originating from northern Ghana, characterized by its hand-woven cotton fabric strips stitched together to form a distinctive, poncho-style top.
Minister Gomashie noted that the weekly promotion of the fugu will have significant social and economic benefits, particularly for local artisans, designers, and traders involved in its production.
The minister stated that the government hopes the collective adoption of the fugu will foster national unity, boost the creative economy, and serve as a symbol of Ghana's cultural identity and confidence.
The fugu has been a trending topic on social media for several days, following the online debate between Ghanaians and Zambians.
The debate led to Ghanaians, including members of parliament, sharing photos of themselves wearing the fugu on social media, while Zambians responded by showcasing their traditional siziba outfits.
The online discussion caught the attention of Zambian President Hakainde Hichilema, who announced plans to import fugus from Ghana.
President Mahama also proposed exporting the smock to Zambia in bulk, highlighting its potential economic benefits.
President Mahama emphasized the historical and cultural significance of the fugu, noting that Ghana's founding father, Kwame Nkrumah, wore it on Independence Day in 1957, and that he himself had recently worn it to the UN.
For more news and updates from the African continent, visit BBCAfrica.com.

Africa
Woman fights back after losing sons to jihadist attack
Yameogo Aminata reports that she lost four of her sons to violence and her daughter remains unaccounted for.
Certain details in this account may be disturbing for some readers.

Yameogo Aminata, a 57-year-old refugee, sits in a dimly lit room at a camp in Ivory Coast, struggling to come to terms with the traumatic loss of her four sons, who were killed by jihadists in their home country of Burkina Faso.
In 2022, Aminata was away from her home when armed insurgents, who have been wreaking havoc in central Burkina Faso for nearly 15 years, launched a devastating attack on her village.
The jihadists seized control of the village, taking cattle and land, and killing numerous residents, including Aminata's sons, who were between 25 and 32 years old.
Recounting the horrific event to the BBC, Aminata's body trembled with emotion as she described how the insurgents slit the throats of her children.
Aminata recalled arriving at the scene to find her fourth son being killed.
She attempted to fight back with a knife but was overpowered, beaten, and left with severe injuries to her head, shoulder, and throat.
During the chaos, Aminata became separated from her daughter, who remains missing to this day.
In 2023, Aminata fled to the Nioronigué camp in Ivory Coast, where she still keeps the blood-stained clothes from that fateful day as a poignant reminder of her loss.
Aminata expressed her desperation to the BBC, stating that she feels lost and without any sense of direction or purpose.
The insurgency in Burkina Faso has resulted in the deaths of at least 10,000 people, with the conflict also affecting neighboring Mali and Niger.
The United Nations has identified the region as a hub of global jihadist violence.
Military juntas have taken power in all three countries, pledging to combat the insurgency.

These juntas have shifted their allegiances away from traditional Western partners and are now seeking military aid from Russia.
Despite the deployment of Russian forces in Burkina Faso under the Africa Corps banner, the insurgency persists, with the al-Qaeda-affiliated group Jama'at Nusrat al-Islam wal-Muslimin (JNIM) being a prominent militant organization.
Hassane Tall, a 60-year-old farmer, fled northern Burkina Faso in 2023 with his three wives and 19 children after surviving multiple attacks.
Tall recounted to the BBC how they escaped clashes between jihadist groups and security forces, fearing for their lives.
Now residing in the Nioronigué camp, Tall expressed his deep sadness at leaving his ancestral land but sees no alternative for his family's safety.
The 12-hectare Nioronigué camp, which is home to Aminata and Tall, is located near the Burkina Faso border and was established in 2023 by the UN and Ivorian authorities.
Initially designed to accommodate around 6,000 people, the camp, along with the nearby Timala camp, currently shelters approximately 13,000 refugees, exceeding its intended capacity.
According to UN data, more than three million people have been displaced due to various conflicts in the Sahel region.
Over 80,000 people from Burkina Faso are currently living in camps in Ivory Coast.
Aminata expressed her gratitude to the Ivorian government and its people for providing her with shelter.
She recounted how she was forced to leave her home after being chased away by jihadists who sought to claim the country.
Similar stories of trauma and loss are echoed throughout the camp.

Among the refugees are individuals from Mali, including a 27-year-old finance graduate who, along with his brothers, undertook a perilous journey from Gao in northern Mali to the capital, Bamako, and then to northern Ivory Coast in search of safety.
The graduate stated that they were compelled to leave after their 24-year-old cousin, a fisherman, was killed by suspected jihadists.
He described the frequent attacks in the area, saying that such incidents occur daily.
The graduate told the BBC that they lived in constant fear, unsure if they would survive from one day to the next.
Despite being one of the fastest-growing economies in the region, Ivory Coast struggles with high unemployment and poverty, leaving locals in border areas concerned about the influx of refugees.
However, government representative Djamatigui Touré assured the BBC that refugees would be welcomed and not turned away.
Touré emphasized the shared history and culture between the refugees and the local population, referring to them as "brothers."
The UN Development Programme's resident representative, Blerta Cela, warned that the resources are being severely strained due to the large number of refugees.
Cela noted that the majority of refugees are not living in camps but are instead being hosted by Ivorian families.
For Aminata, rebuilding her life in a new country is weighed down by the memories of her past.
She acknowledged that she is still unable to come to terms with the traumatic events she experienced.
Aminata's only hope is for peace to be restored in Burkina Faso.
Additional reporting was provided by Noel Ebrin Brou.
For additional news coverage from Africa, visit the BBCAfrica.com website.

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